I know. it’s been a while. But it’s a been a rough stretch. One, we have the election, and despite my desire to not discuss politics, I’m finding it harder and harder not to get sucked into the vortex of Internet comments. Even trains don’t wreck this spectacularly.
I wonder if it’s always been like this and I just didn’t see it. We tend to bubble. I bubble. More and more, when I see the crazy racist ALL CAPS in my feed, I stop following. (I have angina and an anxiety condition; it ain’t helping.) I wax and wane, but mostly wane, feeling like I should fight back somehow, lend my authorial voice to the cause. I’m just not sure of the cause. Other than preventing the apocalypse, or to borrow a phrase from my good friend Jason Carlson, the Hahapoalypse, which is very much already upon us. Frankly I am not sure I am going to make it to November with my sanity (or what’s left of it) in tact. Part of me wants to go out in a brilliant blaze. The other part, well, makes me want to shut off the world until it’s over. Which depending on election outcomes might be just a couple months. I guess I can hang on.
So I’ve been doing stuff. Just finished a couple novels, including the new Jay Porter, Give Up the Dead, which I think is the best yet. I know an author is supposed to say that with every book. Especially in a series, but I really believe it true this time. The best part of a series (also potentially the most hazardous) is you slip into that skin again so easily. In the case of Jay, an anxious alcoholic suffering PTSD, that can be uncomfortable. But it certainly lends verisimilitude and ethos in the character (thank you, grad school).
The other novel I wrapped up, The Girl Who Got Away (I know. Another “girl” title. It will be changed, which sucks because that really should be the title) was equally draining but for different reasons. But who the fuck wants to hear about the writing process, a topic as wholly unoriginal and uninteresting as politics?
Back to Jay. With the series, even as you are wrapping up one book and planning the next (the untitled 4th Jay Porter is out June 2018), you still have to promote the most recent. In this case, December Boys, which has been selling awesome. We’ve hit #1 a couple times over at the Amazon with various promotions. So thank you all for that. But the less sexy part is . . . touring.
It is well known there are two things I hate to do: put on pants, and leave the house. And going on a book tour, unfortunately, involves both.
This time I was away from my wife and kids for 10 days, and I know that doesn’t sound like some crazy amount of time. But add in the having to wear pants, and it was hell. It’s funny. Mornings like today, where I wake up and am bombarded with whining, shit in all its various forms (cat, dog, dirty diaper)–both boys are getting over colds–my back hurts, grumble, grumble–I would kill for a moment of silence. Then the silence comes, and a moment later I miss the chaos. It ain’t not sin to be glad you’ve alive. Or admit you need your family.
The you started in Boston and a Noir at the Bar (put together by Chris Irivn), highlighted by my best TV appearance yet, and culminating with a reading at my hometown library in CT before me and my tattoos jetted down to New Orleans for the always-awesome Bouchercon. I won’t list and link the name of every supporter, friend and fan, who came out, because I just did that in the Acknowledgments section for Give Up the Dead (my publisher said the Acknowledgments were so long this time they have to go in the back of the book!), but I love all these people, the BHS Class of 1988, and this mystery-writing community. But fucking tours are fucking draining, and by the end I was coasting on fumes, analyzing every interaction, reflecting on social graces like a never-ending hall of mirrors casting me in a light most unflattering.
Anyway, that’s where I’ve been. And up next: editing and teaching. The first involves the new Johnny Cash anthology I am helming for Gutter, Just to Watch Him Die, as well as a co-editing gig with David James Keaton, Hard Sentences, an Alcatraz-based anthology coming out with Broken River. The second, and sorta the point of this post, I will again be teaching a mystery-writing course over at LitReactor.
Writing, editing, and teaching are, at least for me, a three-headed monster (a delightful, delightful monster). I can’t do one well without working at the others. Given the demands of life (and desire not to wear pants), online course work out great for me. I am way more impressive digitally. Online I don’t panic or fret about fucking up an introduction to a writer I deeply respect. I can edit my thoughts and words. I am sure many writers, anti-social by nature, feel the same way. This format allows me to put my best foot forward. The last class was a blast, as evidenced my several students signing up this time around. There are still a few slots left (I think). The class starts next Tuesday, October 4th. If you’ve want to learn how to write a mystery, we go into great detail, not only about plotting and process, but also how to get agents and editors to look at your work. And compared to most courses, it’s pretty damn affordable. LitReactor is one of the best tools for writers out there. Wonderful community and resource. Hope to e-see you there!